Currently browsing posts by Arty Chick.

Last Call at the Oasis

What a movie! I am into environmental documentaries, and though they may sound kind of dry and possibly boring to some people, everyone on this planet needs to see this amazing film, which is anything but boring. It is all about something we take for granted and that we cannot live without – water. Last Call at the Oasis is from the the people who brought us An Inconvenient Truth, Food, Inc. and Waiting For “Superman” and is a sobering account of how we are fast approaching a time when water will be a commodity more valuable than gold.

The Forgiveness of Blood

Albania is no cinematic hotspot, though as The Forgiveness of Blood shows, they have some interesting stories to tell. It is fascinating to see these corners of the earth that have been ignored and catch a glimpse inside their culture. In this case, it is a strange mix of the modern and the ancient — cell phones and horse drawn carriages, modern policemen and tribal codes of conduct. The plot here revolves around a murderer’s family and the local society’s acceptance that all of them pay for his crime.

A Separation

A Separation won the 2011 Oscar for Best Foreign Film, marking Iran’s first Academy Award ever. It was also nominated in the Best Original Screenplay category, unusual for any foreign film. While the world frets about their nuclear intentions and tension mounts, it is nice to see a fairly non-political depiction of life there. This is a film about relationships and cultures and power and truth, pretty universal themes played out on a very human scale and directed with a masterful hand.

We Need To Talk About Kevin

This movie has all kind of things going for it — a well-written script, beautifully paced, interesting visual themes, even great performances all around, but seriously! If you are of childbearing age and thinking of having a kid any time in your life, you might not want to see this movie, that is unless you want to know what it feels like to parent a sociopath.

Haywire

Mixed martial arts (MMA) superstar Gina Carano plays the lead and does all her own stunts in Steven Soderbergh’s latest action flick Haywire, which comes off feeling kind of Bourne-lite. In it she is surrounded by a pretty yummy collection of today’s high powered male stars: Antonio Banderas, Michael Fassbender, Ewan McGregor, Channing Tatum, even Michael Douglas. And that is the problem with the film. Carano is not an actress, and she really cannot hold her own with the big boys.

A Better Life

If there was one surprise in the 2011 Oscar nominations, it was Demián Bichir’s nod for Best Actor in a really small film called A Better Life. I’m not sure how many people could have seen this movie. It didn’t even gross $2 million. To be fair, it was named one of the top ten films by the National Board of Review and Bichir was nominated as Best Actor by the Screen Actors Guild and the Independent Spirit Awards. But it is refreshing that this little indie flick did not fly under the Academy’s radar. And that they appreciated Bichir’s outstanding performance.

The Iron Lady

Meryl. I think she deserves to be known by one name by now. What an actress! What an amazing variety of roles she has played in the past few years: It’s Complicated, Julie & Julia, Doubt, The Devil Wears Prada, Mamma Mia! and so many others. Now she brings us another of her memorable performances as Margaret Thatcher in The Iron Lady. Unfortunately, it is not all that good a movie. Yes, Meryl is her usual great self, but Maggie just is not likable or layered. And the script does not help.

Albert Nobbs

What an odd little film! Every few years a gender switching film comes along and everyone gets excited about it (Linda Hunt in The Year of Living Dangerously, Hilary Swank in Boys Don’t Cry, Dustin Hoffman in Tootsie.) This time Glenn Close plays the title character Albert Nobbs, a timid little butler in a second-rate Dublin hotel around the turn of the 20th century. The film has a very Upstairs, Downstairs feeling, mostly downstairs, with one of the maids getting knocked up by a handyman, a typhoid scare shutting down the hotel, and the usual petty personality quirks keeping things interesting. Unfortunately, the character at the center of this film, Albert Nobbs, is not part of the fun.

A Dangerous Method

Michael Fassbender has been one extremely prolific actor this year, first as the arrogant Mr. Rochester in Jane Eyre, then playing Magneto in X-men: First Class, then as the tortured sex addict in Shame, and now he gives us psychoanalyst Carl Jung in A Dangerous Method. What a range of characters! I think Jung may be his best performance (I didn’t see Magneto, but…), and A Dangerous Method is the best film in the bunch.

War Horse

A boy and his horse are at the center of this Steven Spielberg family drama, adapted from the Tony winning stage play, which was an adaptation of a children’s book. It is a typical Spielberg film, tugging on your heartstrings to the emotive strains of John Williams. Set in the beautiful English countryside, a strapping young lad, Albert, witnesses the birth of an amazing horse and watches as he matures into a gorgeous thoroughbred. Then in a stroke of luck, when he comes up for sale, Albert’s father is crazy enough to buy him, instead of a plough horse, which is what they really need. But unfortunately, World War One soon separates the young man from his beloved steed named Joey, and the film follows this incredible animal’s odyssey through the war and finally (and miraculously) back to his favorite human.