Cinema Clash podcast: Incredibles 2; Tag; A Kid Like Jake; Hearts Beat Loud; The Misandrists

Currently browsing posts by Hannah Buchdahl.

Cinema Clash podcast: Incredibles 2; Tag; A Kid Like Jake; Hearts Beat Loud; The Misandrists

Incredibles 2 scored big at the box office in its opening weekend, and rightly so. It was a great family film for Father’s Day, and it’s certainly the early front-runner for best animated movie of 2018.

Review: Jurassic World: Fallen Kingdom

The ‘Jurassic’ world as we know it is devolving — into a standard, formulaic and largely predictable monster movie franchise. Jurassic World: Fallen Kingdom is still watchable, mainly thanks to the appeal of its returning star of the human variety, Chris Pratt (Guardians of the Galaxy). But it doesn’t have the combined charm, tension, terror and character development of 2015’s Jurassic World or the originality of the 1993 classic Jurassic Park. As sequels go, it’s definitely better than the completely forgettable Jurassic Parks 2 and 3. But those films set the bar pretty darn low. If it isn’t careful, the next Jurassic World – as yet untitled, but due in theaters in 2021 – could drive the franchise into extinction, or at least put it on the endangered species list.

Review: Tag

Tag pretty much delivers on what the trailer and the promos promise: an entertaining adult comedy action movie featuring a diverse group of guys who spend one month out of the year continuing a highly-competitive game of Tag they started as kids. The movie was inspired by a true story that was featured in the Wall Street Journal and on a segment of CBS Sunday Morning. The stakes and physical gamesmanship are exaggerated for comedic and dramatic effect in the film. But it’s comforting to know that facsimiles of these guys really do exist, and their primary motivation is admirable: it’s not so much about the game as it is about having a reason – and creating the opportunity – to stay in touch (literally and figuratively) no matter where life takes you.

Quickie Reviews: Hotel Artemis; American Animals

If Ocean’s 8 feels too safe a bet, and Hereditary looks too darn creepy, have no fear — you’ve got a couple of quirky alternatives to choose from in a crazy crowded weekend at the box office. Hotel Artemis stars Jodie Foster as “The Nurse”, the caretaker of a secret “members only” hotel/ER that caters to wounded criminals. The rules are simple and few: No guns. No cops. No killing the other patients. But on a single night in riot-torn Los Angeles 2028, rules are broken – and blood is shed.

Review: Ocean’s 8

As expected, Ocean’s 8 is Ocean’s Eleven – with women. Not that there’s anything wrong with that. Ocean’s Eleven was a smart and entertaining heist flick with a strong ensemble cast. Ocean’s 8 is too, though we have seen it all before. It doesn’t quite measure up to the 2001 Clooney classic, which was a remake of a 1960 Sinatra classic. But it’s a fun escape with a talented, diverse group of ladies (skewing a bit younger than the recent all-star female cast in Book Club).

Review: Adrift

Adrift (not to be confused with the 2006 horror drama Open Water 2: Adrift) is a meet-cute swept into a Perfect Storm. It’s based on the true story of Tami Oldham (Shailene Woodley) and Richard Sharp (Sam Claflin), a couple of young adventure-seekers who encountered a catastrophic hurricane while sailing a 44-foot yacht from Tahiti to San Diego in 1983. The couple was left stranded – injured and adrift – in the middle of the Pacific Ocean. For 41 days.

Review: Won’t You Be My Neighbor?

Even as a kid, I knew there was something inherently comfortable and calming about Mr. Rogers. I remember sitting in front of the television watching him put on his cardigan and tennis shoes and singing “Won’t You Be My Neighbor.” I vaguely recall his puppets and sidekicks and forays into the land of make-believe. Do I remember specific episodes and messages? Not really (I was, after all, quite young). But this documentary explains and validates why the man – and his show – were truly special, and why there are lessons still to be learned today from the classic program and the man who created it.

Review: Solo: A Star Wars Story

Solo: A Star Wars Story doesn’t exactly break new ground. But it does offer up a pleasant enough excuse for a journey back to a galaxy far, far away. It’s a prequel and a sequel and an origin story designed to shed light on the beloved scoundrel who – several years later – delivered Luke, Leia, C-3PO and R2-D2 to the Rebel Alliance and helped them attack the Death Star (or something like that). It’s hard to picture anyone other than Harrison Ford as sarcastic pilot-extraordinaire Han Solo, but Alden Ehrenreich (Hail, Caesar!) creates a believable precursor, with a cockiness and swagger that cloaks a deep desire for family, connection and doing the right thing.

Review: Book Club

If you’ve ever been part of a book club and/or read the kinky romance trilogy “Fifty Shades of Grey,” then you’ll totally ‘get’ this movie and enjoy a few good laughs along the way. It’s formulaic and predictable and largely stakes-free, but as the friend who accompanied me to a special Mother’s Day screening of the film declared, “We need that type of movie once in a while!” In other words, don’t over-think it. Just appreciate Book Club for its lighthearted nature and positive themes about embracing change, taking risks, and starting new chapters in the book of life. And, enjoy it for the cast: a powerhouse ensemble of veteran actors led by Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenbergen.

Review: Deadpool 2

Deadpool 2 has a lot in common with Deadpool 1: it’s irreverent, self-deprecating, cynical and sarcastic; incessantly mocking the superhero genre, while leveraging the very plot devices and character quirks that have come to define superhero movies in general and Marvel movies in particular; and, it’s weird, gross, and generally entertaining. But yes – there’s a ‘but’ coming… the R-rating could easily stand for ‘Redundant’ (in addition to, um, other stuff that makes Deadpool 2, like its predecessor, an anti-superhero flick for older teens and adults only). The shock value humor that made Deadpool such a ‘WTF’ hit in 2016 simply can’t be replicated in a sequel. Instead, we get more of the same. More of Ryan Reynolds breaking the fourth wall as Wade Wilson aka Deadpool whose superpower is, as he describes it, “unbridled cancer”; More overt and covert pop culture references; More melodramatic 80s music; More opening credit gags and CGI extravaganzas.

Even the storyline provided by the studio is, intentionally, a load of bull: