Review: Styx

Currently browsing posts by Hannah Buchdahl.

Review: Stan & Ollie

Do (or did) you get a kick out of the slapstick comedy of Laurel & Hardy? If the answer is yes, then Stan & Ollie is worth a watch, primarily due to the heartfelt and moving performances of Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy. Stan & Ollie is not your traditional biographical drama. It kicks off with the legendary comedy duo at the height of their fame during Hollywood’s Golden Age circa 1930s, then fast-forwards to the pair as fading stars looking to revive their routine – and film careers – by embarking on a variety hall tour of Britain in 1953.

Review: Glass

What exactly is a “comic book thriller”? I’m not exactly sure, but apparently Glass falls into that category. So Comic-Con types rejoice! This one’s primarily for you. It’s also a gift of sorts for fans of Unbreakable (2000) and Split (2016), two creepy yet engrossing movies written and directed by M. Night Shyamalan. In Glass, Shyamalan merges the narrative of those two previous efforts to complete what turns out to be a trilogy nearly 20-years in the making, and possibly sets the origin story for a whole new series of comic-horror-thriller-superhero cinematic events.

Review: The Upside

The Upside is a good movie. But it’s an American remake of a better movie called The Intouchables. So I’m in a bit of a conundrum. My preference would be that everyone see the 2011 French indie, but I know that’s a big ask. So if you’re not inclined to see the superior version – or you’ve put it on the list of ‘movies to rent someday’ – then go ahead and check out The Upside, primarily to revel in the comedic and dramatic acting chops of Bryan Cranston. He plays a quadriplegic billionaire, Phillip Lacasse, who hires a recently-paroled ex-convict named Dell (Kevin Hart) to be his caretaker. Phillip figures Dell is the only candidate for the job who is irresponsible and reckless enough to let him die. 

Mainstream Chick’s Top Picks of 2018

It’s insanely difficult to do a “Top 10 Movies of 2018” list when you’ve seen about 200 movies in 365 days – everything from blockbusters, to arthouse films, to documentaries, to films that simply defy classification. I reviewed some of them for Chickflix; others I just bantered about on the Cinema Clash podcast; still others I never got around to reviewing, ‘cuz sometimes, Life happens and the catch-up game aint worth playin’.

Movies are subjective – and so is my list. And no movie is a “bad movie” if somebody out there “gets” it and likes it. My list is different today than it was yesterday. And it will surely be different tomorrow. But at this particular moment in time – as we enter 2019 – this is where I stand with my top picks, and why.

Quickie Review: On the Basis of Sex

On the Basis of Sex is a solid, feel-good movie about a real-life superhero and pop culture icon, Supreme Court Justice Ruth Bader Ginsburg. It serves as a great companion piece to the recent RBG documentary, i.e. there’s no harm in seeing both. It may even help that both films hit theaters in close proximity, at a time when SCOTUS is top of mind in the political and social arena.

Quickie Reviews: Ben Is Back; Bumblebee; Vice

I know – these are three very different films. But I’m playing catch-up with my reviews! So I’ll start with my favorite of the three (though Bumblebee comes in a surprisingly close second!).

Quickie Review: Second Act

Second Act is a predictable, formulaic, contrived, fine but forgettable dramedy that pales in comparison to J-Lo gems like Maid in Manhattan and The Wedding Planner or even The Back-up Plan. If you go into Second Act expecting a fun, endearing ‘romantic comedy’ featuring Jennifer Lopez and Milo “Jack from This Is Us” Ventimiglia, you may be doubly disappointed. The romance is secondary to a larger story about life choices and female empowerment. That’s all well and good, but it puts poor Milo to waste.

Review: Aquaman

Aquaman is a bit of a hot mess, but it’s not a total washout. It’s one of those ‘must-see regardless’ movies for fans and followers of the DC comic universe, i.e. the one that includes ‘Justice Leaguers’ Batman, Superman and Wonder Woman. It’s the first full-length feature film to dive into the origin story of Arthur Curry aka Aquaman (Jason Momoa), the half-human, half-Atlantean who wields a trident and can navigate two worlds– one on the surface, the other underwater. As it is, I always have to tread carefully when reviewing superhero movies so as not to inadvertently spoil things for the faithful. So I’ll keep it simple and brief, unlike the movie, which drags on too long, and tries to do too much.

Review: Mary Poppins Returns

Emily Blunt (A Quiet Place, The Girl on the Train) is practically perfect in every way as the practically-perfect nanny Mary Poppins in the long-awaited sequel, Mary Poppins Returns. The film itself, however, is not so practically-perfect, mostly because the songs are far less memorable and joyful than those featured in the 1964 classic starring Julie Andrews and Dick Van Dyke. I guess you could say that Mary Poppins Returns is practically okay in every way that counts: it offers up decent family-friendly viewing over the holidays; is reminiscent of that bygone era of heartwarming live-action movie musicals; and is awash in colorful costumes and scenery.

Quickie Review: Once Upon A Deadpool

There are multiple jokes in Once Upon A Deadpool about lazy writing. So I’m going to rip a page out of Deadpool’s book and compose a review befitting this feeble yet entertaining excuse for a limited (re)release. Once Upon a Deadpool is exactly what it claims to be: a comical retread that downplays the raunch of the R-rated Deadpool 2 just enough to transform it into a PG-13 flick that is, well, family-friendlier. There’s a ban on the use of the “F-word” word; judicious bleeping; strategic pixelating; and a few new zingers that simultaneously mock and celebrate an array of mutant and superhero movies.