Currently browsing posts by Hannah Buchdahl.

Cinema Clash podcast: Snatched; The Lovers; King Arthur; The Wall; Obit

I missed my chance to see the Amy Schumer/Goldie Hawn Mother’s-Day-weekend comedy Snatched and King Arthur: Legend of the Sword before they opened, but that didn’t stop me from chatting about them with someone who did. So tune in to the Cinema Clash with Charlie and Hannah for lively debate about those two flicks, in addition to the dysfunctional marital drama The Lovers, the psychological war drama The Wall, and the surprisingly entertaining deadline-oriented documentary Obit.

Risk

Good timing. Just as the U.S. Justice Department is said to be considering, again, whether to charge WikiLeaks founder Julian Assange for his role in the disclosure of hundreds of thousands of classified documents, a new documentary seeks to shed new light on the man himself. Risk is basically a companion piece or prologue to Laura Poitras’ Oscar-winning documentary CitizenFour about NSA whistleblower Edward Snowden. The Snowden saga began to unfold as Poitras was doing her deep dive into Assange. Serendipitous, for sure, because CitizenFour tells a stronger story and is, by far, the better film.

Guardians of the Galaxy Vol. 2

Guardians of the Galaxy Vol. 2 does what a good sequel is supposed to do. It preserves the elements that made the first one a big success (intergalactic action and adventure, quirky characters, heaps of sarcasm, and an awesome soundtrack), while building on the backstory and expanding the ever-expanding Marvel universe. If you liked the first GOTG (2014), you’re sure to like the second at least as much, if not more – from the opening sequence featuring a baby Groot rocking out to classic tunes, all the way through the FIVE bonus scenes peppered throughout the closing credits.

Gifted

Gifted is admittedly schmaltzy and formulaic, but it fits a current void in our cinematic options for chick flick dramas. It plays a bit like a Nicholas Sparks movie – but with a smartass kid, a scene-stealing one-eyed cat, and the hunky Chris Evans (Captain America) as what one character describes as “the quiet damaged hot guy” at the bar. Evans plays Frank Adler, a single man raising his spirited young niece Mary (McKenna Grace) in a quiet coastal town in Florida. He’s been home-schooling the girl, but wants her to socialize more with other kids. So he sends her to public school, where her teacher Bonnie (Jenny Slate) soon discovers that Mary is a math prodigy. That discovery sets in motion a debate over Mary’s education, and a custody battle between Frank and his domineering mother Evelyn (Scottish actress Lindsay Duncan).

The Zookeeper’s Wife

Just in time for Passover… a new Holocaust movie! It’s hard to believe that 80 years after Hitler hatched his maniacal plan to exterminate Jews, there are compelling stories of faith, survival, heroism and sacrifice still making their way to the big screen. The Zookeeper’s Wife isn’t nearly as gripping and powerful as the likes of Diary of Anne Frank or Schindler’s List, but it’s a valiant effort and comes along at a time when the nation – and the world- can use a good reminder to “never forget” what happened, how it happened, and the dangers of a lunatic leader with a cult following. Not to mention the importance of resistance – and persistence. For that very reason alone, it’s worth checking out The Zookeeper’s Wife, based on the nonfiction book by Diane Ackerman. It recounts how a Polish couple who ran the Warsaw Zoo helped save hundreds of Jews during the German invasion, by using the zoo as a way-station for men, women and children to escape from the ill-fated Warsaw Ghetto.

Life

Life begins as a space drama reminiscent of The Martian or Gravity and morphs into a horror movie that’s more like Alien. It’s a mash-up that didn’t really work for me, so I left the theater disappointed, grossed out, and less than enthusiastic about the prospect of a sequel. Yes, Life leaves the capsule door open for a Life 2, just in case the sci-fi thriller finds itself an audience. I put Life on par with recent (weak) space fare, including The Space Between Us and Passengers, and a few notches below Arrival, which features a similar alien blob that is more visceral than literal in its threat to humanity. The alien creature that co-stars in Life is a flesh-hungry critter that picks off its cast-mates one by one. So don’t get too invested.

Beauty and the Beast

Beauty and the Beast represented near-perfection for an animated musical when it competed for Best Picture honors in 1991. So it’s hard to imagine that any reimagining of the “tale as old as time” could possibly hold a candle – or a lumiere – to that instant classic. But Disney’s live-action Beauty and the Beast does what it set out to do, and that’s bring a strong cast, a contemporary vibe, and a few new songs to audiences old and new. And while it’s not perfect, it is quite enchanting.

Cinema Clash podcast: Kong Skull Island; The Ottoman Lieutenant; The Last Word; Neruda; The Marseilles Trilogy

On this edition of the Cinema Clash with Charlie and Hannah: An epic monster movie that’s thin on story but big on spectacle; a love triangle wrapped in a weak war drama set in the Ottoman Empire; Shirley MacLaine gets the The Last Word in a film that Charlie detests and Hannah struggles to defend; a Chilean poet-turned-politician gets the fictionalized biopic treatment; and not one, not two, but three French films for the cinephilic Francophile (aka Charlie). Ooh-la-la! Listen now, or download for later!

Kong: Skull Island

Kong: Skull Island is a monster movie spectacle. If you like the likes of King Kong, Godzilla, and Jurassic Park, with a bit of Apocalypse Now thrown into the mix, then you’ll surely be satisfied with Kong: Skull Island. If the aforementioned titles don’t get your cinematic juices flowing, then you can skip this latest spin on a really, really big ape and the island he reigns over. I didn’t not like it, but I wasn’t blown away either, because I’m simply not a monster movie maven. It took me decades to get around to seeing the original Jurassic Park. This film has a similar vibe. Humans invade the turf of giant creatures and pay a hefty price.

Cinema Clash podcast: Logan; Table 19; Before I Fall; Land of Mine; My Life as a Zucchini

On this edition of the Cinema Clash podcast with Hannah (Mainstream Chick) and her movie nemesis Charlie: A grim final farewell to Logan; Table 19 serves up some lukewarm wedding comedy; Before I Fall aims for the YA crowd; Land of Mine wins Charlie’s vote for best foreign language film; My Life as a Zucchini (Ma Vie de Courgette) offers up a smart, animated tale about orphans, not veggies; and Hannah mixes up her mammals. #oops #BeerFail #WhatIsAWolverineAnyway?

Just click on the box and Tune in!