Live Action (Short Subject) Nominees

Currently browsing the "Adaptation" category.

Frantz

French writer/director François Ozon has made some of my favorite films these last few years. With The New Girlfriend, In the House,  and Potiche he’s shown himself to be very adept with comedy and unusual situations. But with his new film Frantz, he enters the realm of historical drama and shows he is equally skilled in more serious films. A semi-remake of Ernst Lubitsch’s Broken Lullaby, it’s set just after the first World War, in a small German town. It’s the story of Anna (Paula Beer), a beautiful, young German woman whose fiancé Frantz (Anton von Lucke) died in the war and Adrien (Pierre Niney), a sad young Frenchman, who comes to town having been close friends with Frantz in Paris before the war. She discovers him as he is laying flowers on Frantz’s grave, and he becomes a source of happy memories for her and for Frantz’s grieving parents.

Cinema Clash podcast: Logan; Table 19; Before I Fall; Land of Mine; My Life as a Zucchini

On this edition of the Cinema Clash podcast with Hannah (Mainstream Chick) and her movie nemesis Charlie: A grim final farewell to Logan; Table 19 serves up some lukewarm wedding comedy; Before I Fall aims for the YA crowd; Land of Mine wins Charlie’s vote for best foreign language film; My Life as a Zucchini (Ma Vie de Courgette) offers up a smart, animated tale about orphans, not veggies; and Hannah mixes up her mammals. #oops #BeerFail #WhatIsAWolverineAnyway?

Just click on the box and Tune in!

Cinema Clash podcast: Get Out; Rock Dog; Kedi; Bitter Harvest; Punching Henry

On this edition of the Cinema Clash with Mainstream Chick and her cinema nemesis Charlie Juhl: The best movie of 2017 so far. You’ll want to Get Out and see it! Plus: the (pooper) scoop on the Chinese-American computer-animated comedy Rock Dog; the philosophical underpinnings of Kedi, a documentary about cats in Istanbul; the bitter truth about Bitter Harvest; a mockumentary drama about a struggling comedian looking for his big break in Punching Henry; a few wayward Oscar predictions; and beer. Let the clash begin!

Fifty Shades Darker

Defending this movie is like Donald Trump defending one of his executive orders. The built-in base will eat it up. Others will accept it, with reservations. And everyone else will run for the cinematic equivalent of Canada. So the bottom line is this: If you’ve read the books (as I have) and were at least okay with the first film (as I was), then you may feel compelled to escape back into the unconventional romantic fantasyland that is Fifty Shades Darker. It’s not a must-see now, unless you’re into instant gratification, but it is essential to the climax of the film adaptation of the steamy story arc detailed in the best-selling trilogy by E.L. James. Part three, Fifty Shades Freed, has already been shot and is scheduled for release next Valentine’s Day, 2018. So you have a year to debate your inner goddess (as Anastasia would say) on the merits of seeing this relationship through to its happily-ever-after. This is, after all, nothing more than a risqué fairytale written –without apology– in the vein of Twilight fan-fiction. Shakespeare it aint. But it is a very lucrative enterprise. So somebody’s making out.

A Dog’s Purpose

From the opening notes of the cinematic score (think: Nicolas Sparks movie) to the first frame of video, A Dog’s Purpose is designed to tug at the heartstrings and manipulate emotions. And for the most part, it succeeds. Puppies!!! Awwwwwwwww. I mean, c’mon, who can resist a movie that literally gives voice (Josh Gad, Frozen’s Olaf) to the innermost thoughts of man’s – and woman’s – best friend? Here’s the gist of the sweet and sappy tale: A dog is reincarnated several times and discovers new purpose with each new life and owner, beginning with a kid named Ethan. The boy and his dog (Bailey) share a bond that can’t be broken, like, ever. I don’t want to spoil anything, but let’s just say this movie could easily pass for a very special episode of Touched By an Angel (Dog) or the TV Movie of the Week on Disney Channel, Hallmark or Lifetime. Not that there’s anything wrong with that. Those movies have a purpose too (pun intended) and a target demographic. A Dog’s Purpose will surely resonate with dog lovers everywhere. Not a dog person? Then skip it.

Cinema Clash: Split; xXx: Return of Xander Cage; The Founder

Mainstream Chick faces off with her cinematic nemesis Charlie over: M. Night Shyamalan’s creepy psychological thriller Split starring James McAvoy as a guy with 24 alternate personalities who kidnaps three teenage girls; xXx: Return of Xander Cage, an action movie starring Vin Diesel in the second sequel of a franchise I’d never heard of. It’s pure camp. Not that there’s anything wrong with that!; and The Founder, a not-so-feel-good biopic starring Michael Keaton as McDonald’s “founder” Ray Kroc.

Hidden Figures

How did we not know about this story before now?! That’s the biggest question I had after watching Hidden Figures, what I venture to call the best feel-good movie to hit theaters in recent weeks, months, or possibly even years. It’s based on the fascinating, true story of three African-American women who were part of a segregated ‘human computer’ division at NASA that ‘did the math’ that helped send astronaut John Glenn into orbit at the height of the space race in the early 1960s. Talk about the right stuff. These women had it.

Mainstream Chick’s Top Picks of 2016

It’s that time of year – when friends, family, and strangers in the elevator ask, “Hey, Did you see [fill in the blank]? Is it any good? What’s your favorite movie of 2016?” Well, here I attempt to answer those questions as succinctly as possible — with a countdown of my top ten movies of the year (12 if you count the ties), as well as a bunch of honorable mentions. They are films that resonated for one (positive) reason or another and represent a broad range of genres. Check ’em out!

Hell or High Water

Hell or High Water didn’t get the attention it deserved when it was out. But now it’s getting some notice by the awards people, so I thought I’d give my take. (Mainstream Chick’s take is at the bottom of this post. We both liked it a lot!) It has a great cast – Chris Pine, Jeff Bridges, Gil Birmingham, and Ben Foster. It’s a fairly simple story, very well told. Two teams are playing a cat and mouse game with each other. Brothers Tony and Tanner (Pine and Foster) are small time bank robbers. Texas Ranger Marcus Hamilton (Bridges) and his partner Alberto (Birmingham) are on their tail as they knock over branches of the Texas Midlands Bank. Tanner has a record, but Tony is doing it all for his young sons. And Hamilton is about to retire, so he wants that last good case. It’s a very human story that’s humorous, sad, and action packed.

Mainstream Chick’s Quick Takes: Office Christmas Party; Miss Sloane; Jackie; Lion

Comedy. Drama. Suspense. History. Politics. Lots to choose from at the box office this weekend. And it’s all pretty good, even awards-worthy. Except for Office Christmas Party. That one’s just for fun!

Office Christmas Party is not destined to become a holiday classic. But it’s still plenty of fun in the moment, thanks to a Santastic bundle of comedic talent. Too many sub-plots clutter up the nativity scene a bit, but here’s the gist: The uptight CEO (Jennifer Aniston) of a tech company cancels all holiday parties and threatens to close the Chicago branch run by her dufus brother Clay (T.J. Miller) unless he can seal a lucrative deal with a potential client (Courtney B. Vance) by year’s end. With the help of his Chief Technical Officer (Jason Bateman) and a talented techie (Olivia Munn), Clay throws caution (and his sister’s orders) to the wind and throws an epic office party designed to impress the client, boost morale, and save everyone’s jobs. Let’s just say the party – which the head of HR (Kate McKinnon) insists on calling a “non-denominational holiday mixer” — goes off the rails big-time, devolving into a drug and alcohol-fueled physical comedy extravaganza.