Review: Mudbound
Review: Three Billboards Outside Ebbing, Missouri
Mainstream Chick with Greta Gerwig @Middleburg

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AFIDOCS Reviews Part Two

Saturday was a full day, and I had not thought I was choosing films with a theme, but at the end of the day I realized it was a day about strong women. And it was a day of mostly strong filmmaking. Sunday, the final day of the festival turned out to be a day of films about the importance of community. And when it was all over, I was exhausted, but as usual my head is now full of ideas and new heroes, and I’m very thankful for the Girl Power on the screen.

AFIDOCS Reviews Part One

Another Year at AFIDOCS. Four days of back to back documentary films in Washington, DC (and Silver Spring, MD, though we stayed downtown this year.) We’ve been going since 2014 and each year has a different feel. Mainstream Chick and I saw a few together, but quite a few films only one of us saw, so check back to see her takes, or head to the Cinema Clash Podcast for our post-fest discussion. This time the festival felt pared down, though there were some amazing films.  I was particularly interested in the films about women and girls and was not disappointed. There were a few happy surprises and I was left with a lot of questions and inspiration.

Timbuktu

Timbuktu was a very deserving 2015 Academy Award nominee for Best Foreign film. The movie was inspired by the real life events of 2012-13 when religious fundamentalists, took over the ancient Malian city of Timbuktu, destroying much its cultural heritage in the name of Islam and imposing Sharia law on the inhabitants. (They were ultimately run out.) In the film, we meet these militants as they chase down and shoot gazelles from their jeep and then turn those same guns on a cache of wooden statues, particularly ones of naked women. We find them next strutting around the town with megaphones laying down the law, upsetting the townspeople with their strict-to-the-point-of-ridiculous rules. No music. No soccer. No smoking or drinking. No fun. And women need to be nearly invisible and have zero rights. Needless so say, the locals don’t take kindly to it, including the local imam who shoos the heavily armed Jihadists from his mosque. Director Abderrahmane Sissako contrasts this claustrophobic extremism with the story of a pastoral family living in the dunes just outside town whose life soon intersects with the new order.

War Witch (Rebelle)

I really wish that films nominated for the Best Foreign Film Oscar were available before the awards were given out, so that just once I could fill out a ballot having seen them all. Only Amour got a big release and a bunch of hoopla! (And the Oscar, not so coincidentally.) Kon-Tiki opens in April. No and A Royal Affair have been around but only in limited release. And I was only able to see War Witch this week via a screener. I realize that if I lived in LA or New York, I could see more films earlier in their “limited releases,” and that they need that Oscar buzz for audiences around the country to venture out, but it makes me wonder how many wonderful small films from foreign lands we in the hinterlands never have a chance to see.