Currently browsing the "Biopic" category.
Cinema Clash podcast: Kong Skull Island; The Ottoman Lieutenant; The Last Word; Neruda; The Marseilles Trilogy
Posted by Hannah Buchdahl on March 11, 2017
On this edition of the Cinema Clash with Charlie and Hannah: An epic monster movie that’s thin on story but big on spectacle; a love triangle wrapped in a weak war drama set in the Ottoman Empire; Shirley MacLaine gets the The Last Word in a film that Charlie detests and Hannah struggles to defend; a Chilean poet-turned-politician gets the fictionalized biopic treatment; and not one, not two, but three French films for the cinephilic Francophile (aka Charlie). Ooh-la-la! Listen now, or download for later!
Posted by Jill Boniske on February 5, 2017
This brilliant documentary walks its audience through the Civil Rights era with undoubtedly the most articulate and engaged guide possible – James Baldwin, writer (The Fire Next Time, Notes of a Native Son, Go Tell It on the Mountain), intellectual and social critic. Using archival footage from his many speaking engagements on television and at key locations during the Civil Rights fight, along with voice-over from a book that Baldwin never finished (read by a very reverential Samuel L Jackson), the film is told entirely in his words. And his thoughts about the state of the black life in America in the 60s sadly still apply today.
Posted by Hannah Buchdahl on January 25, 2017
Mainstream Chick faces off with her cinematic nemesis Charlie over: M. Night Shyamalan’s creepy psychological thriller Split starring James McAvoy as a guy with 24 alternate personalities who kidnaps three teenage girls; xXx: Return of Xander Cage, an action movie starring Vin Diesel in the second sequel of a franchise I’d never heard of. It’s pure camp. Not that there’s anything wrong with that!; and The Founder, a not-so-feel-good biopic starring Michael Keaton as McDonald’s “founder” Ray Kroc.
Posted by Hannah Buchdahl on January 17, 2017
The Founder is the antithesis of a feel-good movie. It’ll leave you with a bitter aftertaste, not to mention second thoughts about grabbing a burger at McDonald’s. On the surface, the movie has a similar vibe to The Social Network (about the founder of Facebook) and Steve Jobs (about the co-founder of Apple). All three focus on the origin stories of iconic companies and the people who got trampled – or simply left behind – as the brands took off. But The Founder (about the “founder” of McDonald’s) is missing a few key ingredients – namely drama, tension, and the development of characters that you may want to care about. The cast is good. The movie is weak.
Posted by Hannah Buchdahl on January 11, 2017
How did we not know about this story before now?! That’s the biggest question I had after watching Hidden Figures, what I venture to call the best feel-good movie to hit theaters in recent weeks, months, or possibly even years. It’s based on the fascinating, true story of three African-American women who were part of a segregated ‘human computer’ division at NASA that ‘did the math’ that helped send astronaut John Glenn into orbit at the height of the space race in the early 1960s. Talk about the right stuff. These women had it.
Posted by Hannah Buchdahl on December 28, 2016
It’s that time of year – when friends, family, and strangers in the elevator ask, “Hey, Did you see [fill in the blank]? Is it any good? What’s your favorite movie of 2016?” Well, here I attempt to answer those questions as succinctly as possible — with a countdown of my top ten movies of the year (12 if you count the ties), as well as a bunch of honorable mentions. They are films that resonated for one (positive) reason or another and represent a broad range of genres. Check ’em out!
Posted by Jill Boniske on December 15, 2016
Chilean poet Pablo Neruda received a Nobel prize for literature in 1974 and is considered by many to be one of the greatest who ever lived. More poem than biopic, Neruda is a creatively told imagining of one portion of his life. In 1948, the Chilean government outlawed the Communist Party (prodded by the US government) and Neruda (Luis Gnecco) suddenly went from esteemed Senator to revered fugitive with the doggedly determined police investigator Oscar Peluchonneau (Gael García Bernal) on his tail. It is through this chase that Neruda’s character and the wide influence of his work are revealed, and Peluchonneau is brought under Neruda’s spell. It is really quite wonderful!
Posted by Hannah Buchdahl on November 10, 2016
It’s been several weeks since I saw Loving. It was the final day of the Middleburg Film Festival and I felt inspired, almost humbled to watch the movie in Virginia, the state at the center of Loving, which is based on a true story. It never occurred to me that its wide release would coincide with the immediate aftermath of one of the most divisive Presidential elections in U.S. history. An election that would threaten the very foundation of the Supreme Court and potentially undermine precedents it has set to right the wrongs of history and protect a citizen’s right to marry whomever they want, regardless of race or sexual orientation.
Posted by Hannah Buchdahl on November 1, 2016
Hacksaw Ridge is a decent movie that sheds light on a great, little-known story about a war hero who never touched a gun. The film has something for just about everyone — religious convictions for the faith-based crowd, romance for the chick-flick crowd, and (very) intense battlefield scenes for the macho crowd. It’s a hybrid that in many ways feels like a composite of a bunch of war movies we’ve seen before. But it finds its unique sweet spot in the character of Desmond Doss, played by Andrew Garfield (99 Homes, Spider-Man).
Posted by Jill Boniske on October 11, 2016
The story of Nat Turner deserves a big screen telling. He inspired his fellow slaves to fight back against their owners and sent shock waves across the South in 1831 when he led the biggest rebellion against the institution of slavery in American history. Nate Parker wrote, directed and stars in a fairly straight forward retelling of the story, though an off-screen controversy has probably hurt the reception of this film. That said, it is a good movie, though not what I was expecting considering the overwhelming Sundance and Toronto festival buzz.