Currently browsing the "Drama" category.

Review: Ford v Ferrari

Ford v Ferrari doesn’t scream cinematic greatness, but it does have all the key ingredients for an awards-season crowd-pleaser: two great actors (Matt Damon and Christian Bale) sharing top billing, a true story that many folks are probably not aware of, and an adrenaline rush that carries the film to the finish line. It’s a classic sports underdog story about two racing legends, Carroll Shelby and Ken Miles, who helped the Ford Motor Company build and race a car that could hold its own against Italian racing icon Enzo Ferrari’s team at the 1966 24 Hours of Le Mans Race in France. More importantly, it’s about the friendship between the two men, so you don’t have to be a motorsports fan to get on board.

Review: Last Christmas

Romantic comedies and dramas are few and far between these days, so when a decent one does come along, it’s generally worth celebrating, even if it’s just so-so. Such is the case with Last Christmas. Will it become an instant Christmas classic, ala Love Actually, Elf, or It’s a Wonderful Life? Extremely doubtful. Will it satisfy a minor craving for holiday heartache and cheer, with a splash of meet-cute? Absolutely. It’s a step above Hallmark and Lifetime (and straight-to-Netflix) fare, though not a giant leap.

In case you had any doubt, it’s true: Last Christmas the movie was “inspired by” Last Christmas the song– a classic and catchy George Michael/Wham! ballad that has little to do with Christmas, and everything to do with busted relationships. (EARWORM ALERT!)

Quickie Review: Motherless Brooklyn

Motherless Brooklyn is the type of film that evokes a general sense of post-viewing contentment, and a lingering feeling that it could have been more. Perhaps with a bit more drama, or a bit more emotional pull, it could have escaped the somewhat bland “yeah, it was good” category, i.e. perfectly fine for streaming or watching on an airplane or killing time if Terminator films are not your speed. Motherless Brooklyn operates at a slow, stylized pace. The story is interesting and relevant. The actors are all very good, and the noir production design and cinematography casually and convincingly immerses the viewer in 1950s New York. Motherless Brooklyn is a crime drama with a gumshoe aesthetic and a unique twist. The main character Lionel Essrog (Edward Norton, Birdman) is a private investigator with Tourette’s Syndrome, a disorder involving the nervous system that causes involuntary tics, sounds and movements. His condition results in some awkward situations as Lionel attempts to solve the murder of his boss, mentor and only friend Frank Minna (Bruce Willis).

Review: Harriet

Harriet Tubman was an extraordinary woman and she deserves to have her story told (and to be on the $20 bill.) She was a tiny, illiterate slave, but she was also fearless and smart. She escaped her bondage, but returned into hostile territory to bring hundreds more people to freedom as a key figure in the Underground Railroad. And this new film Harriet touches all the high points of her heroic tale. But despite a great cast doing their best, the film never really rises to the level her amazing story deserves.

Arty Chick’s Middleburg Film Festival Download 2019

Another super tiring weekend in the bucolic Virginia hamlet of Middleburg watching more films than I should! I predicted early on that this festival would outgrow itself and I think it has come to that point. Too many people know about it and the growing pains have become chronic overcrowding at venues without room for expansion. I’m already searching for another festival for next year. (All suggestions are appreciated.) I saw fewer films this year, too, just nine — Marriage Story, The Capote Tapes, The Aeronauts, Frankie, Waves, The Report, The Two Popes, Atlantics, and Knives Out. I only gave one of them four stars and several were surprising disappointments. For too many it was great cast and great performances in an otherwise just okay movie. Here’s my list with trailers and my preliminary impressions. Full reviews of select films will come later, so check back.

Review: Jojo Rabbit

Just when you thought there couldn’t possibly be a new way to tell a World War II / Nazi story on film, along comes Jojo Rabbit, to serve as both a reminder of a twisted chapter in our not-so-distant past, and a contemporary cautionary tale. In some ways, there’s more to unpack here than in the controversial Joker, though I suspect way fewer people will see it or ‘get it’. Yes, Jojo Rabbit is a strange flick. But it’s also quite thought-provoking and weirdly entertaining, thanks to the direction of Taika Waititi (who pulls triple duty as screenwriter and actor) and a first-rate cast.

Review: Britt-Marie Was Here

We’ve seen this one before. An older woman finds out her husband has been having an affair and leaves him. First she struggles with it and then she finds herself. Last year’s Finding Your Feet explored this topic nicely. And now comes the Swedish version Britt-Marie Was Here, based on a novel by the same author that brought us the wonderful A Man Called Ove back in 2016. He certainly excels at writing older characters. Britt-Marie is no Ove, but it’s a pleasant enough little self-discovery flick for a matinee with some gal pals.

Review: Joker

Disturbing. That’s really the only word that comes to mind when attempting to process my thoughts on Joker. Did I like it? I don’t know. Not really. Did I not like it? No. It’s okay. Am I glad I saw it? Yes, but only because I wanted to be able to respond with first-hand knowledge to the hoopla over whether it might somehow incite violence; and, I wanted to know if Joaquin Phoenix’s performance might be deserving of awards consideration, as many have already suggested. I’ll get to that. But first, a warning of sorts about the film for anyone who might be expecting a typical action-packed DC Comics ‘super-hero’ or ‘super-villain’ movie. It’s not that. In DC Comics fashion, it does skew dark. But there are no heroes. No superpowers. No joy.

Review: Ms. Purple

This stylish drama set in L.A.’s Koreatown tells the story of a young woman’s dedication to family at the expense of her own happiness and her gradual return to a fulfilling life. Tiffany Chu stars as Kasie, a 23-year old first-generation Korean American who’s stuck working as a hostess/call girl in a karaoke bar so she can take care of her comatose father. But when her home health aide abruptly quits, she calls on her estranged brother Carey (Teddy Lee) for help, and she begins to reexamine her relationship with him and with the life she’s been living. It’s a slow, but beautifully wrought tale.

Review: JUDY

Renée Zellweger is the total package to play legendary performer Judy Garland. Zellweger is an actress who can sing (Chicago), do drama (Cold Mountain) and deliver a punchline (Bridget Jones). She leverages all of the above to bring life and star power to what might otherwise be a rather dry biopic about the singer and actress who rose to fame as Dorothy in The Wizard of Oz and died some 30 years later of an accidental drug overdose at the age of 47.