Currently browsing the "Drama" category.

Quickie Review: Working Woman

This Israeli #MeToo drama centers on Orna (Liron Ben-Shlush) whose husband’s new Tel Aviv restaurant is struggling to get off the ground, so she takes a job with real estate developer Benny (Menashe Noy) who she knew from her time in the army. At first everything is great. She’s given a lot of responsibility and finds she’s really good at what she’s doing, but then come the unwanted and inappropriate advances and she’s not sure how to react, but hopes they’ll stop once she says no. They don’t. Working Woman is a story that will be familiar to many women. Orna wants the job. She’s given well-deserved promotions and people treat her with respect for the great job she’s doing. But the boss thinks he has the right to treat her however he wants. He knows she’s happily married and has kids at home. He’s married too, and she’s met his wife, but still.

Review: John Wick: Chapter 3 – Parabellum

John Wick: Chapter 3 – Parabellum is insanely violent yet wildly entertaining – if you can withstand a barrage of fight scenes rife with bullets, swords, fists, head-butts, horses, motorcycles, crackling bones, shards of glass, big guns, small guns, and lots and lots of knives. The prolonged violence was a bit over the top for my taste, but I can’t help but appreciate the totality of what the franchise has been able to deliver since Wick first came on the scene in 2014. Chapter after chapter, the heart of the story remains the same: Formerly retired super-assassin John Wick (Keanu Reeves) just wants to live in peace with his dog and wallow in the memory of his late wife Helen. Good luck with that, John.

Quickie Review: The Sun Is Also a Star

The Sun Is Also a Star is a fine though forgettable romantic drama for the YA crowd and possibly others who’ve read the best-selling novel of the same name by Nicola Yoon, the author of “Everything, Everything,” which was turned into a movie that included such a dreadful twist that I declined to post a review back in 2017. The Sun Is Also a Star has the same general vibe and target audience as Everything, Everything but is significantly better, better. It’s a meet-cute movie that delves into themes of love, chemistry, destiny, fate, immigration, deportation and assimilation. All in the span of a (rather slow) day.

Review: Poms

Three cheers for braving new things as we age! One cheer for the movie Poms, which should have been so much better given its veteran ensemble of Hollywood golden girls. The movie has moments that are relatable and funny and poignant, but it doesn’t break any new ground and will escape your memory faster than you can say Bring It On. It’s a bittersweet comedy about death and dying. And living. And friendship.

Review: The White Crow

“White crow,” as the film informs us early on, is a term used to describe a person who is unusual, extraordinary, not like others, an outsider.

A Rudolph Nureyev.

For those unfamiliar with political and dance history, Nureyev was a promising young talent in Leningrad’s famed Kirov ballet company when he shocked the Soviets and the world by defecting to the West at the conclusion of a Parisian tour in 1961. The White Crow is Nureyev’s story, as told through the lens of actor/director Ralph Fiennes who pulls double-duty as Nureyev’s Russian dance instructor Alexander Pushkin. Fiennes chose a dancer over an actor to portray Nureyev – a leap of faith that ends up sacrificing story in the service of art.

Review: Long Shot

Seth Rogen comedies tend to be hit or miss for me. Long Shot straddles the line, eeking out on the side of okay, though somewhat disappointing given the tremendous buzz it received coming out of the uber-cool SXSW film festival. Maybe I’m just getting old. But I don’t find the idea of a Secretary of State defusing a crisis while high on ecstasy to be all that funny. It is, however, quintessential Rogen. So if you’re a fan of films like This Is The End, Superbad and Pineapple Express, then you know what you’re in for with Long Shot. The biggest difference is that Long Shot aims for romantic political comedy in addition to raunchy comedy, with an assist from Oscar-winning dramatic actress Charlize Theron (Monster, Tully, Atomic Blonde).

Quickie Review: Red Joan

There’s no denying Judi Dench’s watchability factor. The Grand Dame of cinema commands the screen whenever she’s on it – which isn’t all that much in the not-so-thrilling spy thriller Red Joan. Don’t let the poster, trailer and top billing fool you. Dench is merely a high-profile vehicle for bookending a story told primarily through flashbacks, with Sophie Cookson (Kingsman: The Secret Service) playing young Joan Stanley, an impressionable and idealistic Brit turned longtime spy for the KGB.

Review: Teen Spirit

Teen Spirit is a mainstream movie filtered (or squeezed) through an indie lens. It tells the story of Violet, a shy 17-year-old high school student who enters a local singing competition and ends up making a splash on a British television show that resembles – and consequently satirizes – the likes of American Idol, X Factor, and Britain’s Got Talent. If you enjoy that genre, then Teen Spirit should lift your spirits, however fleetingly, thanks in large part to its talented lead, Elle Fanning (20th Century Women, The Neon Demon) who really can sing!

Quickie Review: The Chaperone

Louise Brooks was a silent screen phenomenon. A woman whose style all others copied. But before she was a star, she was just a teenager in Wichita, Kansas. The Chaperone is the story of her trip to New York at the age of 15 to attend a prestigious dance school and launch her career. And though she’s the one who became a star, it’s her chaperone who’s at the center of this Masterpiece Theater drama. A local woman named Norma Carlisle (Elizabeth McGovern, Downton Abbey) overhears Louise’s mother at a party lamenting that her daughter is in need of a chaperone and volunteers her services. She has an ulterior motive, of course. She’s escaping a fractured marriage and also searching for her birth mom who abandoned her decades earlier in a New York orphanage. Written and directed by Downton Abbey alums Michael Engler and Julian Fellowes, this period drama is a fascinating tale of liberation and self-discovery.

Review: Dogman

Bullies need enablers and Dogman is all about one such relationship. At the center is Marcello (Marcello Fonte), a diminutive and timid dog groomer, who lives for his time with his daughter Sofia and never met a dog he didn’t love. But he also sells cocaine on the side to make ends meet, especially to pay for his scuba trips with Sofia. One of his buyers is the hulking brute Simone (Edoardo Pesce) who Marcello looks at like one of his dogs that could be tamed, if only. Simone only sees the relationship as what he can get from Marcello and pushes it to the breaking point. It’s a dark and dreary character study with flashes of comedy that you know won’t end well.