Currently browsing the "Foreign" category.

Review: Dogman

Bullies need enablers and Dogman is all about one such relationship. At the center is Marcello (Marcello Fonte), a diminutive and timid dog groomer, who lives for his time with his daughter Sofia and never met a dog he didn’t love. But he also sells cocaine on the side to make ends meet, especially to pay for his scuba trips with Sofia. One of his buyers is the hulking brute Simone (Edoardo Pesce) who Marcello looks at like one of his dogs that could be tamed, if only. Simone only sees the relationship as what he can get from Marcello and pushes it to the breaking point. It’s a dark and dreary character study with flashes of comedy that you know won’t end well.

Quickie Review: Girls of the Sun

In our #Girlpower era, a film about battalion of Kurdish women fighting ISIS in North Kurdistan should be a slam dunk. But somewhere between idea and execution Girls of the Sun got a bit lost. Part of that may be that it is framed as being about a French war correspondent who embeds herself with this group of women and her story is a distraction. I was never sure why I should care about her. After all, the women she’s with have lived through absolute hell. The more interesting story is that of the female commander Bahar (Golshifteh Farahani) who lost her husband and son to ISIS and has a reason to be fighting the fight.

Quickie Review: Ramen Shop (Ramen Teh)

Following in the tradition of a spate of recent foodie flicks, Ramen Shop wraps a slight story in a culinary journey and has you drooling and wishing the film would be over quickly so you can get out to the nearest ramen shop yourself. This time around the story centers on a young Japanese chef Masato (Takumi Saitoh) whose father dies at the start of the film, sending him on a quest to find his culinary roots in Singapore. Dad met Mom there and there are a lot of unanswered questions about her and her family. She died when he was a boy, and his discovery of her diary among his father’s possessions, sends him in search of his uncle and the story of his mother’s estrangement from his grandmother. But all along the way there is a lot of cooking and eating mouth-watering food.

Quickie Reviews: Gloria Bell; Yardie

What’s with all the remakes of decent if not exceptional foreign films lately? In recent months, we’ve seen Americanized versions of the 2011 feel-good French film The Intouchables (remade as The Upside), the 2014 Norwegian crime drama In Order of Disappearance (remade as Cold Pursuit), and now, Chile’s 2013 romdramedy Gloria (remade into Gloria Bell). In the case of Cold Pursuit and Gloria Bell, we’re treated to nearly shot-by-shot, word-for-word redundancy delivered by the same directors who helmed the original, well-received foreign flicks. Hey, let’s just throw in a lead actor popular with American audiences and do it all over again. Box office gold, right? Um, no.

Review: The Invisibles

There are plenty of films about the Jews who lost their lives to the Nazis, but this is the first I’ve seen about those who hid in plain sight in Germany through the war and survived. Part narrative feature and part documentary, The Invisibles tells the stories of four young people who refused to leave Berlin, and through their own smarts and the kindness of others, lived to tell the tale. All four of them in their old age are interviewed throughout the film, and since you know they lived, you also know that no matter how close it comes to them getting caught, they won’t be found out. Nevertheless, it is an audacious story about four exceedingly brave young people.

Quick Takes: Never Look Away; Transit; Woman at War

With Arty Chick off to parts unknown to direct a documentary, it’s possible her reviews will be fewer and farther between for a while. So I will try and highlight some of the artier films that I happen to see (and like). I’ll also note if they’ve been discussed on my weekly podcast, “The Cinema Clash” with Charlie Juhl, who tends to share Arty Chick’s passion for smaller, indie and foreign films. If we both a like a particular film, there’s a good chance you will too! Topping my list of recent forays into foreign-film land is the Oscar-nominated German film, Never Look Away. It’s part psychological drama, part war drama, part period romance. It takes place over the course of about 30 years, which helps explain the film’s three-hour running time.

Review: Styx

Styx is the story of intrepid German ER doctor Rike who’s on a solo sea voyage when she’s suddenly sucked into a life or death situation. What begins as a peaceful vacation taking her from Gibraltar to Ascension Island way out in the Atlantic Ocean, quickly turns into a riveting, edge of your seat morality story when she comes across a shipping trawler adrift carrying desperate refugees.

Review: I Am Not a Witch

In this odd little satirical film from Zambian-born director Rungano Nyoni, 8-year-old Shula (Maggie Mulubwa) is branded a witch and sent away to the camp where all the other witches are kept. It’s a strange place that tourists are brought to to see the women (yes, they’re all female) all tied to enormous spools of white ribbon, which allow them only limited freedom to roam and keeps them from flying away. Shula is told she can either accept the spool or be transformed into a goat. She grudgingly takes on the spool.

Review: Cold War

In this passionate love story set in Soviet-era Poland, Zula, a young singer with a past, enters a state-run performing academy where she meets the love of her life, Wictor, the pianist-musical director of the program. The film follows their on-again and off-again relationship across decades as they escape the Iron Curtain and ultimately return. Music is a key element of the story. There is one folk song that is sung first as an audition piece, then as a chorus in concert, then as a Polish jazz song, then translated into French. And Joanna Kulig’s performance as Zula is particularly powerful. Not only does she sing beautifully, but her face lights up the screen.

Mainstream Chick’s Top Picks of 2018

It’s insanely difficult to do a “Top 10 Movies of 2018” list when you’ve seen about 200 movies in 365 days – everything from blockbusters, to arthouse films, to documentaries, to films that simply defy classification. I reviewed some of them for Chickflix; others I just bantered about on the Cinema Clash podcast; still others I never got around to reviewing, ‘cuz sometimes, Life happens and the catch-up game aint worth playin’.

Movies are subjective – and so is my list. And no movie is a “bad movie” if somebody out there “gets” it and likes it. My list is different today than it was yesterday. And it will surely be different tomorrow. But at this particular moment in time – as we enter 2019 – this is where I stand with my top picks, and why.