Currently browsing the "German" category.

Review: Luz

The classic horror film hasn’t entirely disappeared from the cinema landscape, but the current trend it to make more of it than just the easy jump out of your seat shriek-fest. Get Out, Suspria, and Hereditary have shown that there’s an audience for new kinds of horror. And Luz rides in on that wave with a minimalist demonic possession flick that takes place mostly in a police station.

Review: The Invisibles

There are plenty of films about the Jews who lost their lives to the Nazis, but this is the first I’ve seen about those who hid in plain sight in Germany through the war and survived. Part narrative feature and part documentary, The Invisibles tells the stories of four young people who refused to leave Berlin, and through their own smarts and the kindness of others, lived to tell the tale. All four of them in their old age are interviewed throughout the film, and since you know they lived, you also know that no matter how close it comes to them getting caught, they won’t be found out. Nevertheless, it is an audacious story about four exceedingly brave young people.

Quick Takes: Never Look Away; Transit; Woman at War

With Arty Chick off to parts unknown to direct a documentary, it’s possible her reviews will be fewer and farther between for a while. So I will try and highlight some of the artier films that I happen to see (and like). I’ll also note if they’ve been discussed on my weekly podcast, “The Cinema Clash” with Charlie Juhl, who tends to share Arty Chick’s passion for smaller, indie and foreign films. If we both a like a particular film, there’s a good chance you will too! Topping my list of recent forays into foreign-film land is the Oscar-nominated German film, Never Look Away. It’s part psychological drama, part war drama, part period romance. It takes place over the course of about 30 years, which helps explain the film’s three-hour running time.

Review: Styx

Styx is the story of intrepid German ER doctor Rike who’s on a solo sea voyage when she’s suddenly sucked into a life or death situation. What begins as a peaceful vacation taking her from Gibraltar to Ascension Island way out in the Atlantic Ocean, quickly turns into a riveting, edge of your seat morality story when she comes across a shipping trawler adrift carrying desperate refugees.

Arty Chick’s Middleburg Film Festival Download 2018

Another year at a fabulous festival! I wonder how long this little Virginia horse country festival can keep it up. It’s sure to burst its seams soon. This year’s slate was amazing, as usual. I was only able to fit in 10 of the 29 films offered in my three days of the festival and missed quite a few I really wanted to see. But what I saw was impressive. The big winner for me (it won the audience award, too) was Peter Farrelly’s Green Book, which will certainly be vying for the Oscar. But there really were quite a few standout films. Here’s my list with trailers and my preliminary impressions. Full reviews of select films will come later, so check back.

Review: The Captain (Der Hauptmann)

The Captain is not for the faint of heart. It’s the true story (or some version of it) of a German deserter in World War II, who finds a suitcase containing a Luftwaffe captain’s uniform and assumes the role, building his own band of brothers from deserters he finds along the way, and committing truly horrifying acts in the name of the Führer in the waning days of the war. Pvt. Willi Herold (Max Hubacher) simply by virtue of a uniform becomes a sadistic leader. Inventing a mission straight from Hitler himself, he quickly loses his fear of being caught and tests the limits of his own brutality. And there are no limits.

Review: Bye Bye Germany (Es war einmal in Deutschland)

This “based on a true story” movie takes place in 1946, in a displaced persons camp, where those who survived the Nazi death camps are being held until they can get themselves to America. But they need money to do that. Enter David Bermann (Moritz Bleibtreu), a man with a plan. His family had a linen shop before the war, and he recruits a group of salesmen to sell high-end linens to the gullible Germans surrounding them. But while the biz goes well, he’s also being interrogated by an American Army Investigator (Antje Traue) who suspects that he collaborated with the Nazis. The film is by turns funny and sad and sweet and horrifying. And well worth seeing.

Arty Chick’s Middleburg Festival Download

What a great festival! It’s my first year at Middleburg, now in its 5th year, but I was truly impressed by their  selections. It’s a small festival, as yet pretty unknown, but not for long, I suspect. In all I went to 14 films in just over 3 days. It was exhausting, but I thoroughly enjoyed it. Films included here are: Three Billboards Outside Ebbing, Missouri ; Mudbound; Last Flag Flying; Faces/Places; I, Tonya; In the Fade; The Divine Order; Lady Bird; Joan Didion: The Center Will Not Hold; Meltdown; Loveless; Darkest Hour; The Other Side of Hope; and Hostiles.

AFIDOCS Reviews Part One

Another Year at AFIDOCS. Four days of back to back documentary films in Washington, DC (and Silver Spring, MD, though we stayed downtown this year.) We’ve been going since 2014 and each year has a different feel. Mainstream Chick and I saw a few together, but quite a few films only one of us saw, so check back to see her takes, or head to the Cinema Clash Podcast for our post-fest discussion. This time the festival felt pared down, though there were some amazing films.  I was particularly interested in the films about women and girls and was not disappointed. There were a few happy surprises and I was left with a lot of questions and inspiration.

Toni Erdmann

This father-daughter dramedy/farce from German director Maren Ade may clock in at 162 minutes, but I never got bored and it certainly didn’t drag. The film starts with a familiar premise, but doesn’t go to the sentimental or obvious places you’re expecting. It pits Ines (Sandra Hüller), an über-focused young corporate consultant, against her semi-retired dad Winfried (Peter Simonischek) who just loves a good gag or practical joke. He drops in for an unannounced visit with Ines and tries to get her to loosen up and have a life, and all she wants is for him to go home so she can get back to business. Though it does lead to a happy ending, the journey is full of absurd scenes and uncomfortable moments.