Currently browsing the "Romance" category.
Posted by Hannah Buchdahl on March 17, 2017
Beauty and the Beast represented near-perfection for an animated musical when it competed for Best Picture honors in 1991. So it’s hard to imagine that any reimagining of the “tale as old as time” could possibly hold a candle – or a lumiere – to that instant classic. But Disney’s live-action Beauty and the Beast does what it set out to do, and that’s bring a strong cast, a contemporary vibe, and a few new songs to audiences old and new. And while it’s not perfect, it is quite enchanting.
Cinema Clash podcast: Kong Skull Island; The Ottoman Lieutenant; The Last Word; Neruda; The Marseilles Trilogy
Posted by Hannah Buchdahl on March 11, 2017
On this edition of the Cinema Clash with Charlie and Hannah: An epic monster movie that’s thin on story but big on spectacle; a love triangle wrapped in a weak war drama set in the Ottoman Empire; Shirley MacLaine gets the The Last Word in a film that Charlie detests and Hannah struggles to defend; a Chilean poet-turned-politician gets the fictionalized biopic treatment; and not one, not two, but three French films for the cinephilic Francophile (aka Charlie). Ooh-la-la! Listen now, or download for later!
Posted by Hannah Buchdahl on March 4, 2017
On this edition of the Cinema Clash podcast with Hannah (Mainstream Chick) and her movie nemesis Charlie: A grim final farewell to Logan; Table 19 serves up some lukewarm wedding comedy; Before I Fall aims for the YA crowd; Land of Mine wins Charlie’s vote for best foreign language film; My Life as a Zucchini (Ma Vie de Courgette) offers up a smart, animated tale about orphans, not veggies; and Hannah mixes up her mammals. #oops #BeerFail #WhatIsAWolverineAnyway?
Just click on the box and Tune in!
Posted by Hannah Buchdahl on March 2, 2017
Table 19 is a so-so romantic comedy that practically screams CHICK FLICK from the get-go. We haven’t had one of those in a while, so for anyone craving the genre, it’s worth taking a seat at the Table. The film has some genuinely funny and poignant moments and is extremely relatable for anyone who’s ever been seated with a random group of strangers at a wedding reception. It’s a bit like The Breakfast Club – wedding edition. The plot centers around ex-Maid of Honor Eloise McGarry (Anna Kendrick, Pitch Perfect, Up In the Air) whose boyfriend, the bride’s brother, recently dumped her via text message. After a raging internal debate, Eloise decides to attend the wedding as originally planned and is exiled to Table 19, along with five other misfits who fall into the category of obligatory invitees who “should have known to just send regrets – but not before sending something nice off the registry.”
Posted by Hannah Buchdahl on February 10, 2017
Defending this movie is like Donald Trump defending one of his executive orders. The built-in base will eat it up. Others will accept it, with reservations. And everyone else will run for the cinematic equivalent of Canada. So the bottom line is this: If you’ve read the books (as I have) and were at least okay with the first film (as I was), then you may feel compelled to escape back into the unconventional romantic fantasyland that is Fifty Shades Darker. It’s not a must-see now, unless you’re into instant gratification, but it is essential to the climax of the film adaptation of the steamy story arc detailed in the best-selling trilogy by E.L. James. Part three, Fifty Shades Freed, has already been shot and is scheduled for release next Valentine’s Day, 2018. So you have a year to debate your inner goddess (as Anastasia would say) on the merits of seeing this relationship through to its happily-ever-after. This is, after all, nothing more than a risqué fairytale written –without apology– in the vein of Twilight fan-fiction. Shakespeare it aint. But it is a very lucrative enterprise. So somebody’s making out.
Posted by Hannah Buchdahl on February 3, 2017
The Space Between Us is a hot mess of a sci-fi drama about a boy who was born on Mars after his astronaut mother, Sarah, apparently failed to take an Early Pregnancy Test before setting off on a super-long shuttle mission to colonize the Red Planet. In a sad twist of events, Sarah discovers shortly after take-off that she’s pregnant, and then dies from complications during childbirth. That’s not a spoiler. It’s in the trailer, and sets up the rest of the story about the life and times of Gardner Elliott, an extremely bright but socially-awkward kid who grows weary of life in a Martian bubble. As puberty hits, Gardner gets rebellious and decides to visit his home planet Earth – to meet a cool girl he’s met online, and maybe even find his mysterious, unidentified father. (Sadly, it’s not Matt “The Martian” Damon.)
Posted by Hannah Buchdahl on December 28, 2016
It’s that time of year – when friends, family, and strangers in the elevator ask, “Hey, Did you see [fill in the blank]? Is it any good? What’s your favorite movie of 2016?” Well, here I attempt to answer those questions as succinctly as possible — with a countdown of my top ten movies of the year (12 if you count the ties), as well as a bunch of honorable mentions. They are films that resonated for one (positive) reason or another and represent a broad range of genres. Check ’em out!
Posted by Hannah Buchdahl on December 21, 2016
Passengers is basically Castaway in space – with a bit of Gravity and The Martian thrown into the mix. Only it’s not as good as the aforementioned titles, mostly because it lacks tension and drama. Even the sexual tension between the attractive main characters is dispensed of rather quickly, if ya know what I mean.
Posted by Hannah Buchdahl on December 14, 2016
Believe the buzz. La La Land IS the best movie of 2016. It’s certainly my top pick for top honors in the Oscar pool. But here’s the twist. I had to see it twice to fully appreciate the story and the spectacle. The first time I saw it was at the Middleburg Film Festival in October, in cramped seats in a hotel ballroom. About a month later, I saw it again – on a big screen, in a real theater, with a good sound system. And I was hooked. It doesn’t fit neatly into any particular genre. It’s part musical, part drama, part comedy, part fantasy, part romance… all packaged together in a unique, thought-provoking, entertaining and bittersweet film about dreams, relationships, and the paths taken – or not taken – in life.
Posted by Jill Boniske on December 10, 2016
Korean director Chan-wook Park’s (Oldboy) latest film The Handmaiden is an amazing adult thriller. It is twisty and erotic and romantic and funny and utterly surprising. And very hard to review because the many plot twists that make it so fun to watch have to be kept secret. No spoilers here. It is reminiscent of The Grifters or Sleuth with people trying to con one another from start to finish, and the audience’s assumptions proved wrong again and again. At its center is the story of a con artist The Count (Ha Jung-woo) who finds a job for one of his minions, pretty young Sookee (Tae-ri Kim), as the handmaid to a very rich and very attractive young Japanese woman Lady Hidekowith (Min-hee Kim) with the aim of his seducing and marrying her for her fortune. But needless to say, it doesn’t go exactly as planned.