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 We’re moving out of the summer blockbuster kids’ movies and into the fall when traditionally a more serious adult roster hits the screens. This year? Well, there are a few that seem Oscar worthy, several with our favorite men headlining, a couple that look like real chick flicks and what just might be some …  What?? You’ve never even heard of the Hawaiian princess Victoria Kaʻiulani Kalaninuiahilapalapa Kawekiu i Lunalilo Cleghorn? Well, frankly, neither had I. But she does have an interesting life story that is told – and acted- fairly well in this arty indie flick, though it takes a half-hour or so to really get into it. …  To look at The Young Victoria for historical accuracy would be the wrong way to approach it. Screenwriter Julian Fellowes (Gosford Park) admits to taking dramatic license in many places for effect. And it is effective as a coming of age love story set inside that gilded cage known as the British monarchy. …  Simply put: If you liked Jerry Maguire or Antwone Fisher (both excellent films, by the way) then you’ll definitely like The Blind Side. It’s not so much a movie about football as it is a movie about human kindness, defining family, overcoming adversity, and beating the odds. In other words (if you’re a sap like …  It’s good to see Hollywood paying homage to a bevy of strong, independent, talented and spirited women (Fanny Brawne in Bright Star, Amelia Earhart in Amelia, Coco Chanel in Coco Before Chanel). I just wish these movies weren’t quite so… boring. All three felt excessively slow to me. Excellent performances seem wasted on scripts and pacing …  The new biopic on the life and times of aviation pioneer Amelia Earhart doesn’t crash and burn. But it doesn’t soar either. It just sort of taxis on the runway, gets some occasional lift, and glides back down again. Not the most exciting ride. And that’s disappointing, especially when you consider her remarkable story. Earhart was …  Bright star, would I were stedfast as thou art–//Not in lone splendour hung aloft the night//And watching, with eternal lids apart//Like nature’s patient, sleepless Eremite//The moving waters at their priestlike task//Of pure ablution round earth’s human shores//Or gazing on the new soft-fallen mask//Of snow upon the mountains and the moors–//No–yet still stedfast, still unchangeable//Pillow’d upon … |
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