Big Miracle
Man on a Ledge
Haywire
A Better Life
The Iron Lady
Extremely Loud and Incredibly Close
Joyful Noise
Top Ten Big-Screen Pet Names of 2011
Albert Nobbs
Young Adult
A Dangerous Method
Mainstream Chick’s Year in Review
War Horse
We Bought a Zoo
The Adventures of Tintin
The Girl with the Dragon Tattoo
Sherlock Holmes: A Game of Shadows
Tinker Tailor Soldier Spy
Mission: Impossible – Ghost Protocol
The Skin I Live In
New Year’s Eve
The Sitter
Like Crazy
Melancholia

Currently browsing the "Arty Chick" category.

Haywire

Mixed martial arts (MMA) superstar Gina Carano plays the lead and does all her own stunts in Steven Soderbergh’s latest action flick Haywire, which comes off feeling kind of Bourne-lite. In it she is surrounded by a pretty yummy collection of today’s high powered male stars: Antonio Banderas, Michael Fassbender, Ewan McGregor, Channing Tatum, even Michael Douglas. And that is the problem with the film. Carano is not an actress, and she really cannot hold her own with the big boys.

A Better Life

If there was one surprise in the 2011 Oscar nominations, it was Demián Bichir’s nod for Best Actor in a really small film called A Better Life. I’m not sure how many people could have seen this movie. It didn’t even gross $2 million. To be fair, it was named one of the top ten films by the National Board of Review and Bichir was nominated as Best Actor by the Screen Actors Guild and the Independent Spirit Awards. But it is refreshing that this little indie flick did not fly under the Academy’s radar. And that they appreciated Bichir’s outstanding performance.

The Iron Lady

Meryl. I think she deserves to be known by one name by now. What an actress! What an amazing variety of roles she has played in the past few years: It’s Complicated, Julie & Julia, Doubt, The Devil Wears Prada, Mamma Mia! and so many others. Now she brings us another of her memorable performances as Margaret Thatcher in The Iron Lady. Unfortunately, it is not all that good a movie. Yes, Meryl is her usual great self, but Maggie just is not likable or layered. And the script does not help.

Albert Nobbs

What an odd little film! Every few years a gender switching film comes along and everyone gets excited about it (Linda Hunt in The Year of Living Dangerously, Hilary Swank in Boys Don’t Cry, Dustin Hoffman in Tootsie.) This time Glenn Close plays the title character Albert Nobbs, a timid little butler in a second-rate Dublin hotel around the turn of the 20th century. The film has a very Upstairs, Downstairs feeling, mostly downstairs, with one of the maids getting knocked up by a handyman, a typhoid scare shutting down the hotel, and the usual petty personality quirks keeping things interesting. Unfortunately, the character at the center of this film, Albert Nobbs, is not part of the fun.

A Dangerous Method

Michael Fassbender has been one extremely prolific actor this year, first as the arrogant Mr. Rochester in Jane Eyre, then playing Magneto in X-men: First Class, then as the tortured sex addict in Shame, and now he gives us psychoanalyst Carl Jung in A Dangerous Method. What a range of characters! I think Jung may be his best performance (I didn’t see Magneto, but…), and A Dangerous Method is the best film in the bunch.

War Horse

A boy and his horse are at the center of this Steven Spielberg family drama, adapted from the Tony winning stage play, which was an adaptation of a children’s book. It is a typical Spielberg film, tugging on your heartstrings to the emotive strains of John Williams. Set in the beautiful English countryside, a strapping young lad, Albert, witnesses the birth of an amazing horse and watches as he matures into a gorgeous thoroughbred. Then in a stroke of luck, when he comes up for sale, Albert’s father is crazy enough to buy him, instead of a plough horse, which is what they really need. But unfortunately, World War One soon separates the young man from his beloved steed named Joey, and the film follows this incredible animal’s odyssey through the war and finally (and miraculously) back to his favorite human.

Sherlock Holmes: A Game of Shadows

They’re baaack! Holmes and Watson (Robert Downey Jr. and Jude Law) pick up slightly after we last saw them in the first Sherlock Holmes. Dr. Watson is about to be married, and Holmes is still not entirely happy about it. And meanwhile, bombs are going off all over Europe, and while everyone else is blaming it on anarchists, Sherlock knows that it has something to do with his arch-nemesis Professor Moriarty (Jared Harris). He just has to put the pieces together, and he is willing to play Moriarty’s extreme body-count cat and mouse game if necessary, even if it means ruining Watson’s honeymoon.

The Skin I Live In

I have to admit two things up front. I am not usually a fan of Pedro Almodóvar, and the descriptions of The Skin I Live In did not lead me to believe I would change my opinion. “A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.” Ugh! But since the awards season is upon us, and it is showing up on a lot of lists, I decided to give it a look. And surprise!

Melancholia

Danish director Lars von Trier is not known for happy movies (Breaking the Waves, Dancer in the Dark) and with Melancholia he keeps true to form. The title clues you in to the mood of the film centered on two sisters Justine (Kirsten Dunst) and Claire (Charlotte Gainsbourg), which is told in two chapters. The first is Justine’s story – the saga of her wedding reception at her sister’s mansion, in which she has a slow and painful meltdown, revealing herself to be a deeply disturbed, depressed woman, incapable of being in any relationship, much less married. The second part belongs to Claire. It concerns her growing terror that a planet called Melancholia that has been hiding behind the sun is soon going to crash into the earth.

The Artist

I have my favorite movie of the year now, and I expect that The Artist will be at the top of a lot of other reviewers’ lists, too. I’ve been told I gush about it. And I do not gush often. Considering that it is in black & white and is a silent film, you might wonder why.