Currently browsing the "Mainstream Chick" category.

Man on a Ledge

 Man on a Ledge is one of those movies that holds your attention and ultimately entertains, even if it does fade from memory a short time later. The less you know going into it, the more you’ll get out of it. So if you think you may want to see it, skip the more in-depth reviews and stick with this one!

Extremely Loud and Incredibly Close

Extremely Loud and Incredibly Close is a so-so drama that fails to rise above its extremely long and forgetful title. It may appeal to those who read the book, liked the book, and are curious to see how it all plays out on the big screen. But I, for one, discovered that I’m just not ready to accept a fictional story that uses 9/11 for context. The movie is not exploitative or gratuitous in its treatment of that fateful day. It just feels “too soon” to go there. The marketing tag line says: “This is not a story about September 11th. It’s about every day after”, and to some extent, that’s true. I actually think this movie would have been better served as an indie with a different trigger for the plot-line. It could have been “inspired by” the best-selling book as opposed to “adapted from” it. Anyway…

Joyful Noise

Joyful Noise is full of, well, joyful noise – at least when the music is playin’. Unfortunately, the movie slows down quite a bit between numbers. In other words, you have to be willing to forgive a heaping spoonful of preachy dialogue and contrived plot to truly enjoy the show. Don’t get me wrong. It’s a sweet, warm-hearted flick that should satisfy fans of the music competition genre (i.e. Gleeks). It’s just not as good as I hoped or expected it to be. I blame the trailer, which gives up all the best lines and high notes.

We Bought a Zoo

It’s a good thing Matt Damon didn’t succumb to warnings about working with children and animals. Because without Matt Damon, We Bought a Zoo could have been really lame. Instead, it’s a heartwarming family film that manages to tackle some pretty big issues without getting too sappy or sad.

Damon plays Benjamin Mee, a young widower struggling to raise his two kids, Dylan, 14, and Rosie, 7, in the months following his wife’s death. Desperate for a change of scenery and a fresh start, Mee moves the family out of the city and into a fixer-upper in the country that happens to be situated in the middle of a zoo that also needs some major fixer-uppin’.

The Adventures of Tintin

Isn’t Tintin supposed to be a dog? C’mon, I can’t be the only one who thought The Adventures of Tintin might be some new animated twist on the tales of a certain German Shepherd named Rin. My bad. The movie is actually based on a popular European series of comics created in 1929 by a Belgian artist known as Herge’. Tintin is not a german shepherd. He’s actually a curious young reporter-detective-adventurer who, along with his dog Snowy (a fox terrier), gets caught up in the wild and wacky world of criminals, villains, artifacts and treasure. He’s part “Brenda Starr”, part “Indiana Jones”.

From a purely visual standpoint, The Adventures of Tintin is rather stunning with its use of motion-capture technology. But the story itself falls a bit flat, even at the direction of the almighty Steven Spielberg.

Mission: Impossible – Ghost Protocol

Mission Implausible is more like it. But no matter – this movie isn’t really about plot or plausibility. It’s about cool stunts and stunning imagery. So if you’re into the action stuff, go see it (in IMAX) and enjoy the adrenaline rush through Budapest, Moscow, Dubai and Mumbai.

For those actually counting, Mission: Impossible – Ghost Protocol is the fourth installment in the franchise starring Tom Cruise as secret agent Ethan Hunt. He leads a black ops team known as the IMF – the Impossible Mission Force (not the International Monetary Fund, though both are equally mysterious to me).

New Year’s Eve

I just re-read my review of Garry Marshall’s easy breezy chick flick of last year, Valentine’s Day, and guess what? I could easily just change out the holiday – and some of the names from the lengthy A-list cast – and present the exact same review. In fact, just for fun, that’s what I’m gonna do! So here goes, with only slight [modifications]:

Garry Marshall is brilliant. He made a mildly entertaining movie with an A-List cast and a name that virtually guarantees it a place in holiday rerun history. [New Year’s Eve] is like Crash-light. Really, really, really light. It follows a bunch of folks whose lives intersect in various ways as they [embrace, reject, and reflect on all that is New Year’s Eve as the ball is about to drop in New York City].

The Sitter

The Sitter is basically an R-rated re-interpretation of the 1987 classic Adventures in Babysitting. The original featured a reluctant babysitter taking her charges on an adventure through the streets of Chicago in an attempt to help a friend in need. The Sitter features Jonah Hill as Noah Griffith, a lazy college dropout who takes his three troubled charges on an adventure through the streets of New York – in an attempt to score some drugs and get laid. It actually sounds worse than it is. Noah is a total shlub but he generally means well. And by movie’s end, valuable lessons are learned by all.

Shame

Oh my! I’m not really sure who – if anyone- you can actually see this movie with. Suffice it to say, it’s not a date movie. Or a family movie. Or a fun fantasy flick. It’s dark and disturbing – and provocative – in a Black Swan sort of way. I didn’t particularly like Black Swan, despite the Oscar-worthy performance of Natalie Portman. Same goes for Shame. It’s not my cup of tea (at all), but the performances – especially from Michael Fassbender and Carrie Mulligan – are quite superb. So should you see it? Maybe – in the privacy of your own home when it comes out on DVD! But in a theater??? That’s a tough call. Here’s why:

The Descendants

If you’re looking for an adult movie that can appeal to the mainstream, adventurous and arty crowd this holiday weekend, then I highly encourage you to seek out The Descendants. It’s got George Clooney. Need I say more? Actually, I do need to say more – because this is Clooney at his best. He delivers a powerfully low-key performance as a fairly regular guy named Matt King who is forced to step it up as a father when his wife suffers catastrophic injuries in a boating accident. As she lies comatose in a hospital bed, Matt is left to process her impending death, comfort and support his rebellious and rambunctious daughters, and oversee the difficult sale of a large piece of pristine land that his Hawaiian ancestors left in a family trust (thus the title, The Descendants). On top of that, he learns his wife had been having an affair.