Currently browsing the "Drama" tag.

New Year’s Eve

I just re-read my review of Garry Marshall’s easy breezy chick flick of last year, Valentine’s Day, and guess what? I could easily just change out the holiday – and some of the names from the lengthy A-list cast – and present the exact same review. In fact, just for fun, that’s what I’m gonna do! So here goes, with only slight [modifications]:

Garry Marshall is brilliant. He made a mildly entertaining movie with an A-List cast and a name that virtually guarantees it a place in holiday rerun history. [New Year’s Eve] is like Crash-light. Really, really, really light. It follows a bunch of folks whose lives intersect in various ways as they [embrace, reject, and reflect on all that is New Year’s Eve as the ball is about to drop in New York City].

Like Crazy

I wasn’t crazy for Like Crazy like a lot of people seem to be. Don’t get me wrong. I liked it. I just didn’t love it. Maybe it’s because I’m old(ish) and jaded and have always been more of a realist than a romantic, but this movie just didn’t resonate with me. Yes, the performances are excellent from both Anton Yelchin and Felicity Jones, who won a best actress award at Sundance for her role. And the director, Drake Doremus, does a good job of conveying how all consuming first love can be with a lot of tight close-ups of the young couple’s adoring, besotted glances, and then of letting the relationship unfold at a languid pace as they try to figure out how to and whether they should stay together. Too bad I didn’t really care if they did or not.

The Twilight Saga: Breaking Dawn – Part 1

Yes, I was indeed among the masses who helped Twilight: Breaking Dawn – Part One reap nearly $140 Million at the box office in its opening weekend. And I make no apologies. I read the books and liked them (for the most part). I saw the first three movies in the series. The first one was quite bad; the second one was better; the third one was quite good. And now, the fourth – well, it’s definitely weak. But it doesn’t really matter. Once you’re sucked into the franchise, you have no choice but to see it through (thus the boffo box office numbers for this penultimate installment of the franchise). My only hope is that Part Two somehow manages to provide a more satisfying conclusion than the book itself, which was my least favorite of the bunch.

J. Edgar

What a strange man, that J. Edgar Hoover! And yet – for nearly 50 years – he managed to wield tremendous power and influence as the controversial head of the Federal Bureau of Investigations. This biopic seeks to show us how, and why.

In Time

The “Occupiers” of Wall Street and throughout the world should take a massive field trip to see this movie. I have a feeling they’d like it – a lot.  It definitely delivers a timely and thought-provoking message in an intriguing and entertaining way.

The Mighty Macs

Weak as it may be dramatically, it’s hard not to appreciate and support The Mighty Macs – mostly because it’s all-too rare that we see a sports movie featuring women beating the odds to become unlikely champions. It’s been nearly 20 years since A League of Their Own – and that one still had a guy at the helm (Tom Hanks). With The Mighty Macs, it’s girl power all the way. It’s Sister Act meets Hoosiers… let me explain:

The Ides of March

The Ides of March is a decent adult drama, but it’s also a depressing commentary on the state of our political system. It doesn’t really matter if you’re a republican, democrat, independent or ‘other’ – the movie is likely to leave you with the impression that we’re all pawns in a political game that’s essentially run by a select group of strategists who will do whatever is necessary to achieve victory for their candidate du jour.

50/50

Odds are much better than 50/50 that you’ll really like 50/50. It is, hands down, one of my favorite movies of the year. You’ll cry a little and laugh a lot.

Moneyball

Moneyball is a slam dunk – oh wait, make that a grand slam – for baseball buffs. For those who don’t particularly care for the business of baseball, the movie can feel a bit draggy at times, but it’s generally worth the price of admission. It works for two reasons: Brad Pitt and Jonah Hill.

Restless

I got restless watching Restless. In other words, I was bored.