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Review: A Star Is Born

About a week after I first saw the latest version of A Star Is Born, I took advantage of a rainy weekend to catch up on the 1937 original, the 1954 remake, and the 1976 remake of the remake. Then I watched the latest version again. And I can honestly say, the newest one is my favorite, in part because it draws on the best parts of all its predecessors while bringing the classic tragic love story into present-day context, complete with an awesome original soundtrack. We’ll surely be hearing at least one of those songs at this year’s Oscars.

Blue Jasmine

What if Bernie Madoff was a younger, better looking man who left behind a beautiful yet clueless wife to fend for herself? That’s the basic premise of Woody Allen’s latest, Blue Jasmine. In this case the wife, Jasmine French, late of Park Avenue, is brilliantly played by Cate Blanchett who brings an amazing range of emotional states to the role as Jasmine throws herself on the mercy of her working class sister in San Francisco. She’s lost everything, but can’t seem to grasp the situation she is in or give up the lifestyle and pretense she’s grown so accustomed to, because it is who she is. A modern day Blanche DuBois (a role Blanchett played to stellar reviews off-Broadway not so long ago), Jasmine is ill-equipped for the life she’s been suddenly thrust into and has already begun to lose her grip on reality.