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Review: The Prom

I miss Broadway. And while Hamilton certainly helped fill the void during this pandemic, the historical rapfest isn’t one of those big, splashy, colorful broadway musicals that you serendipitously try to catch after standing in the discount line at TKTS. The Prom fits that particular playbill. Director Ryan Murphy (TV’s Glee) saw the show on Broadway and immediately knew he could adapt it to the big screen (or small screen, as the case may be). Add a hefty dose of star power, make it available on Netflix, and let the party – or prom – commence.

Review: CATS

Speaking of memories…

I still have my ticket stub from the July 27, 1983 performance of CATS at the Wintergarden Theatre on Broadway. It was a Wednesday matinee and my orchestra seat cost $35. Betty Buckley played Grizabella the Glamour Cat. She sang “Memory.” I was hooked. I will always be a fan of the music. I will continue to defend the songs, the dancing, and the whimsical appeal of Andrew Lloyd Webber’s classic stage production.

I can’t, however, defend the movie. It simply doesn’t work.

Review: Ocean’s 8

As expected, Ocean’s 8 is Ocean’s Eleven – with women. Not that there’s anything wrong with that. Ocean’s Eleven was a smart and entertaining heist flick with a strong ensemble cast. Ocean’s 8 is too, though we have seen it all before. It doesn’t quite measure up to the 2001 Clooney classic, which was a remake of a 1960 Sinatra classic. But it’s a fun escape with a talented, diverse group of ladies (skewing a bit younger than the recent all-star female cast in Book Club).

Begin Again

Begin Again is all about the transformative power of music. In it a down on his luck, alcoholic ex-record company executive discovers a down on her luck songwriter and the two of them help one another come back into the world of the living. That the two are played by Mark Ruffalo and Keira Knightley helps this pretty simple story become more than the sums of its parts. It is a thoroughly entertaining little film, especially for music lovers.