Currently browsing the "Jennifer Connelly" tag.

American Pastoral

American Pastoral starts off strong, then takes a turn down a very long, dark and twisted road that I was more than ready to exit by the end of the film’s 108 minute running time. It felt much longer. The film is based on a 1997 Philip Roth novel that tells the story – over several decades – of Seymour “Swede” Levov (Ewan McGregor), a man who seems to have it all: He excels in sports at his New Jersey high school, becomes a successful businessman, marries a beauty queen, Dawn (Jennifer Connelly), and builds a seemingly idyllic life for himself and his family in a small town outside Newark. But his daughter Merry (Dakota Fanning) is a nut job. She gets mixed up with a bunch of radicals in the turbulent 1960s and disappears after being accused of a murderous act. Dawn has a breakdown, then a facelift, and seems content to never see Merry again. But Swede refuses to give up on his beloved daughter and embarks on a years-long quest to find her. The journey takes a heavy toll on Swede – and the audience.

Noah

I’m no biblical scholar, but I’ve heard the story of Noah and the flood a few times. I suspect there are not many who haven’t. In a nutshell: “The Creator” talks to Noah. He tells him to build an ark. He does and there is a flood. And there are a lot of animals involved. In the latest cinematic iteration of the story, there are not a lot of surprises. But there are some big time special effects and this one feels like Transformers meets A Beautiful Mind with a touch of Lord of the Rings and a heavy dose of your faith of choice. Noah is not a Cecil B. DeMille reverential telling, but a Darren Aronofsky (Black Swan, Requiem for a Dream) psychological/environmentalist drama. It’s loud and messy and pretty entertaining.