Concrete Utopia
Korean cinema has long been fascinated by class distinctions. Parasite and Snowpiercer both leaned heavily into the fact that society is unfairly separated by social status. In Uhm Tae-Hwa's dystopian…
Korean cinema has long been fascinated by class distinctions. Parasite and Snowpiercer both leaned heavily into the fact that society is unfairly separated by social status. In Uhm Tae-Hwa's dystopian…